The first thing you need to do, then, is move those new tunes from your temporary downloads folder or wherever they happen to be to where you keep your collection proper, which is where you’ll work on them further. This is where we’ll ensure we have all the other information we need for each track, information which is stored inside the music file itself using something called ‘ID3 tagging’ – namely things like the correct artist, title, artwork (if wanted), genre, and more, and potentially do some organising too.
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In the absence of any other way of slicing and dicing your music (for instance, if you’re playing the songs on a very old CD player or sorting them on a strange computer using the file browser), at least that will be available to you.Īs it’s pretty much impossible to do more than alter a tune’s filename in a Windows explorer or Mac Finder window, it’s time now to add your new tunes to your music library proper. (Remember, we are not interested in whole albums as DJs, so track number isn’t necessary.) Even if you throw all of your songs into one single folder at any time, or put them in one pile on a USB stick, by sorting them alphabetically you’ll have a workable collection, ordered by artist.
The system I prefer is simply Artist – Title (Remix Title), for instance: Robin S – Show Me Love (Stonebridge Club Mix).īy doing this, you’ll remove extraneous info that often gets included in filenames, the most common being track number.
There’s actually only a single thing I’d recommend before you do that, and that is change each new tune’s filename so it follows a standard system. They’re all sitting there in your laptop’s downloads folder, ready to move across into your DJ collection. So you’ve bought a handful of tunes, maybe imported a few from CDs or even ripped a few from old vinyl. I’ll divide my simple system for adding music to your collection into three parts: ‘Preparing’, ‘Importing’ and ‘Tagging’. Keep it simple and you’ll stick with your system for life, it’ll serve you well and, best of all, it’ll become second nature to you. And secondly, there is really no need to do any more than the simple universal things I share with you in this chapter in order to organise any digital music collection effectively, whatever the size. Firstly, the more complicated your music processing system, the more likely you are to abandon it and end up with a music collection in a worse mess than if you’d done nothing. There are two issues with this way of thinking. ‘If I organise my collection better than anyone else,’ goes the thinking, ‘I’ll be able to find tracks quicker, which will make me a better DJ.’ With the abundance of clever tools out there in the digital age for cataloguing, filtering and playlisting our digital music collections, it’s easy to understand why involved processes for organising our music can sometimes get the better of us.
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If one mistake rookie DJs make when getting started with regards to music is the ‘more is more’ error (‘real DJs have tens of thousands of tunes, so I’ll just download everything I can think of by everyone I can think of…’), a second is coming up with convoluted ways of processing and organising their music collections.
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Introduction The remaining chapters in this section concern the fourth tier of the Playlist Pyramid – the music we’ve bought and how to prepare, import, tag and organise it.
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